Such A Freak feat. Boogie Fresh - TV Rock Mix by Dirty South cover art

Such A Freak feat. Boogie Fresh - TV Rock Mix

Dirty South

30s preview

Key
7B · F major
BPM
124
Open Key
12d
Energy
89/100
Pop
0/100
Length
7:32
Released
2006
Album
Dirty South EP
Genre
House
Loudness
-8.7 dB
Dynamics
13.8 dB
ISRC
AUVC00603923

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, Such A Freak feat. Boogie Fresh - TV Rock Mix sits in F major (7B) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2006 production that still circulates in sets. More underground than 99% of Dirty South's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 93% of Dirty South's catalogue
Groove:
groovier than 92% of Dirty South's catalogue
Energy:
hotter than 83% of Dirty South's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood75Bright
Groove80
Acoustic0
Instrumental75
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Such A Freak feat. Boogie Fresh - TV Rock Mix in?

Such A Freak feat. Boogie Fresh - TV Rock Mix by Dirty South is in F major, or 7B on the Camelot wheel.

What BPM is Such A Freak feat. Boogie Fresh - TV Rock Mix?

Such A Freak feat. Boogie Fresh - TV Rock Mix runs at 124 BPM, a club-tempo track.

What mixes well with Such A Freak feat. Boogie Fresh - TV Rock Mix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Such A Freak feat. Boogie Fresh - TV Rock Mix good for peak time?

With energy 89 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 124 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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