Disappear - Extended Mix
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 4:56
- Released
- 2025
- Album
- Disappear
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 11.3 dB
- ISRC
- GBPQS2500305
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disappearoriginal11B · 125
Against the original (11B at 125 BPM), this version holds the same tempo in the same key.
Disappear - Extended Mix runs 125 BPM in A major (11B), a club-tempo house record. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Kevin McKay's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 93% of Kevin McKay's catalogue
- Brightness:
- brighter than 82% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Disappear - Extended Mix in?
Disappear - Extended Mix by Kevin McKay is in A major, or 11B on the Camelot wheel.
What BPM is Disappear - Extended Mix?
Disappear - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Disappear - Extended Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Disappear - Extended Mix good for peak time?
With energy 67 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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