Best Things in Life Are Free - Extended Version by Kevin McKay cover art

Best Things in Life Are Free - Extended Version

Kevin McKay

30s preview

Key
9B · G major
BPM
122
Open Key
2d
Energy
68/100
Pop
0/100
Length
9:58
Released
2013
Album
Best Things in Life Are Free
Genre
House
Loudness
-6.5 dB
Dynamics
10.1 dB
ISRC
GBPQS1300025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Best Things in Life Are Free - Extended Version sits in G major (9B) at 122 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Groovier than 99% of Kevin McKay's catalogue. For programming, treat it as a mid-set roller.

Reach:
more underground than 99% of Kevin McKay's catalogue
Tempo:
slower than 96% of Kevin McKay's catalogue
Energy:
calmer than 91% of Kevin McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood34Balanced
Groove90
Acoustic0
Instrumental80
Live10
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Best Things in Life Are Free - Extended Version in?

Best Things in Life Are Free - Extended Version by Kevin McKay is in G major, or 9B on the Camelot wheel.

What BPM is Best Things in Life Are Free - Extended Version?

Best Things in Life Are Free - Extended Version runs at 122 BPM, a club-tempo track.

What mixes well with Best Things in Life Are Free - Extended Version?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Best Things in Life Are Free - Extended Version good for peak time?

With energy 68 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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