Sciamachy (Konstantin Sibold Remix) by Kevin de Vries cover art

Sciamachy (Konstantin Sibold Remix)

Kevin de Vries

30s preview

Key
3B · D♭ major
BPM
124
Open Key
8d
Energy
87/100
Pop
14/100
Length
7:16
Released
2018
Album
Aratak
Genre
Techno
Label
Afterlife
Loudness
-9.1 dB
Dynamics
8.2 dB
ISRC
DEPL31100084

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 126 BPM), this version runs 2 BPM slower and moves the key from 3A to 3B.

Sciamachy (Konstantin Sibold Remix) is a club-tempo techno track in D♭ major (3B) at 124 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 92% of Kevin de Vries's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 91% of Kevin de Vries's catalogue
Low end:
more bass-heavy than 87% of Kevin de Vries's catalogue
Brightness:
darker than 77% of Kevin de Vries's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood4Dark
Groove80
Acoustic1
Instrumental92
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
49%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Sciamachy (Konstantin Sibold Remix) in?

Sciamachy (Konstantin Sibold Remix) by Kevin de Vries is in D♭ major, or 3B on the Camelot wheel.

What BPM is Sciamachy (Konstantin Sibold Remix)?

Sciamachy (Konstantin Sibold Remix) runs at 124 BPM, a club-tempo track.

What mixes well with Sciamachy (Konstantin Sibold Remix)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Sciamachy (Konstantin Sibold Remix) good for peak time?

With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More techno

More from Kevin de Vries

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track