Distorted I Am
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 8:02
- Released
- 2011
- Album
- Euphoria
- Genre
- Techno
- Loudness
- -10.6 dB
- Dynamics
- 20.6 dB
- ISRC
- US83Z1104227
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Distorted I Am is a club-tempo techno track in B♭ minor (3A) at 124 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2011 production that still circulates in sets. More underground than 99% of Traumer's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of Traumer's catalogue
- Energy:
- hotter than 93% of Traumer's catalogue
- Groove:
- less groove-driven than 90% of Traumer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Distorted I Am in?
Distorted I Am by Traumer is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Distorted I Am?
Distorted I Am runs at 124 BPM, a club-tempo track.
What mixes well with Distorted I Am?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Distorted I Am good for peak time?
With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Traumer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
