Bells - Moses Remix
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 56/100
- Pop
- 2/100
- Length
- 6:34
- Released
- 2015
- Album
- The Story of the Last Lion
- Genre
- Techno
- Label
- Wall Music
- Loudness
- -14.0 dB
- Dynamics
- 8.0 dB
- ISRC
- DEH741502122
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bellsoriginal4B · 129
Against the original (4B at 129 BPM), this version runs 4 BPM slower and moves the key from 4B to 9B.
Bells - Moses Remix runs 125 BPM in G major (9B), a club-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More bass-heavy than 99% of Kevin de Vries's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 96% of Kevin de Vries's catalogue
- Tempo:
- slower than 85% of Kevin de Vries's catalogue
- Energy:
- calmer than 84% of Kevin de Vries's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 59%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 8%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Bells - Moses Remix in?
Bells - Moses Remix by Kevin de Vries is in G major, or 9B on the Camelot wheel.
What BPM is Bells - Moses Remix?
Bells - Moses Remix runs at 125 BPM, a club-tempo track.
What mixes well with Bells - Moses Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Bells - Moses Remix good for peak time?
With energy 56 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Kevin de Vries
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
