Thoughts Of You
30s preview
- Key
- 7A · D minor
- BPM
- 112
- Open Key
- 12m
- Energy
- 38/100
- Pop
- 0/100
- Length
- 9:48
- Released
- 2020
- Album
- Momo's Private School
- Genre
- Private School Piano
- Loudness
- -18.0 dB
- Dynamics
- 15.6 dB
- ISRC
- ZAC012000214
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Thoughts Of You runs 112 BPM in D minor (7A), a mid-tempo private school piano record. It reads as brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Kelvin Momo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 96% of Kelvin Momo's catalogue
- Energy:
- calmer than 90% of Kelvin Momo's catalogue
- Low end:
- more bass-heavy than 84% of Kelvin Momo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Thoughts Of You in?
Thoughts Of You by Kelvin Momo is in D minor, or 7A on the Camelot wheel.
What BPM is Thoughts Of You?
Thoughts Of You runs at 112 BPM, a mid-tempo track.
What mixes well with Thoughts Of You?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Thoughts Of You good for peak time?
With energy 38 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![TOUCHED THE SKY (RADIO EDIT) - DBN GOGO & EFFECTED VS DENNIS FERRER [FEAT. TRIPLE X DA GHOST & MIA TUTTAVILLA] by DBN Gogo cover art](https://i.scdn.co/image/ab67616d00001e029f51db99ab28fbe18a999178){kind=small}
How to mix it
In 7A at 112 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More private school piano
More from Kelvin Momo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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