Maye Maye (feat. Azana, Stixx)
30s preview
- BPM
- 113
- Open Key
- 3m
- Energy
- 37/100
- Pop
- 54/100
- Length
- 7:30
- Released
- 2023
- Genre
- Private School Piano
- Loudness
- -17.5 dB
- Dynamics
- 17.6 dB
- ISRC
- ZA56E2315176
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Maye Maye (feat. Azana, Stixx) runs 113 BPM in B minor (10A), a mid-tempo private school piano record. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 97% of Kelvin Momo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 92% of Kelvin Momo's catalogue
- Groove:
- groovier than 91% of Kelvin Momo's catalogue
- Energy:
- calmer than 90% of Kelvin Momo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 20%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Maye Maye (feat. Azana, Stixx) in?
Maye Maye (feat. Azana, Stixx) by Kelvin Momo is in B minor, or 10A on the Camelot wheel.
What BPM is Maye Maye (feat. Azana, Stixx)?
Maye Maye (feat. Azana, Stixx) runs at 113 BPM, a mid-tempo track.
What mixes well with Maye Maye (feat. Azana, Stixx)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Maye Maye (feat. Azana, Stixx) good for peak time?
With energy 37 out of 100 at 113 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 113 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More private school piano
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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