Themba Iam (feat. Reed & Nvcho)
30s preview
- BPM
- 113
- Open Key
- 3d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 7:01
- Released
- 2023
- Genre
- Private School Piano
- Loudness
- -13.6 dB
- Dynamics
- 17.9 dB
- ISRC
- ZA56E2315284
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 113 BPM in D major (10B), Themba Iam (feat. Reed & Nvcho) is a mid-tempo private school piano production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Kelvin Momo's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 90% of Kelvin Momo's catalogue
- Groove:
- less groove-driven than 81% of Kelvin Momo's catalogue
- Brightness:
- brighter than 77% of Kelvin Momo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Themba Iam (feat. Reed & Nvcho) in?
Themba Iam (feat. Reed & Nvcho) by Kelvin Momo is in D major, or 10B on the Camelot wheel.
What BPM is Themba Iam (feat. Reed & Nvcho)?
Themba Iam (feat. Reed & Nvcho) runs at 113 BPM, a mid-tempo track.
What mixes well with Themba Iam (feat. Reed & Nvcho)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Themba Iam (feat. Reed & Nvcho) good for peak time?
With energy 71 out of 100 at 113 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 113 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More private school piano
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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