Blood ,Sweat ,Tears
30s preview
- BPM
- 115
- Open Key
- 9d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2024
- Album
- Evacuation
- Genre
- House
- Loudness
- -14.3 dB
- Dynamics
- 13.5 dB
- ISRC
- QZWDD2420247
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo house cut, Blood ,Sweat ,Tears sits in A♭ major (4B) at 115 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Kek'star's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 87% of Kek'star's catalogue
- Brightness:
- darker than 83% of Kek'star's catalogue
- Tempo:
- slower than 82% of Kek'star's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Blood ,Sweat ,Tears in?
Blood ,Sweat ,Tears by Kek'star is in A♭ major, or 4B on the Camelot wheel.
What BPM is Blood ,Sweat ,Tears?
Blood ,Sweat ,Tears runs at 115 BPM, a mid-tempo track.
What mixes well with Blood ,Sweat ,Tears?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Blood ,Sweat ,Tears good for peak time?
With energy 62 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 115 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Kek'star
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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