Passing Lights by Kamilo Sanclemente cover art

Passing Lights

Kamilo Sanclemente

30s preview

Key
8B · C major
BPM
122
Open Key
1d
Energy
96/100
Pop
5/100
Length
7:54
Released
2022
Album
Passing Lights / Eclipse
Genre
Progressive House
Label
Univack Records
Loudness
-6.4 dB
Dynamics
10.1 dB
ISRC
DGA052208501

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Passing Lights runs 122 BPM in C major (8B), a club-tempo progressive house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 95% of Kamilo Sanclemente's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 78% of Kamilo Sanclemente's catalogue
Tempo:
slower than 77% of Kamilo Sanclemente's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood54Balanced
Groove78
Acoustic0
Instrumental75
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Passing Lights in?

Passing Lights by Kamilo Sanclemente is in C major, or 8B on the Camelot wheel.

What BPM is Passing Lights?

Passing Lights runs at 122 BPM, a club-tempo track.

What mixes well with Passing Lights?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Passing Lights good for peak time?

With energy 96 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Kamilo Sanclemente

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track