Bird by Julian Jeweil cover art

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
72/100
Pop
12/100
Length
6:32
Released
2015
Genre
Techno
Label
M_nus
Loudness
-6.7 dB
Dynamics
9.5 dB
ISRC
CAM261500022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Bird runs 125 BPM in B minor (10A), a club-tempo techno record. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Slower than 93% of Julian Jeweil's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 88% of Julian Jeweil's catalogue
Brightness:
brighter than 83% of Julian Jeweil's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood42Balanced
Groove80
Acoustic1
Instrumental94
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Bird in?

Bird by Julian Jeweil is in B minor, or 10A on the Camelot wheel.

What BPM is Bird?

Bird runs at 125 BPM, a club-tempo track.

What mixes well with Bird?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Bird good for peak time?

With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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