Love Changed Me feat. Byron Stingily - Maw Instrumental by Joseph Capriati cover art

Love Changed Me feat. Byron Stingily - Maw Instrumental

Joseph Capriati

30s preview

Key
11A · F♯ minor
BPM
123
Open Key
4m
Energy
72/100
Pop
3/100
Length
7:40
Released
2021
Album
Love Changed Me (Masters At Work Remixes)
Genre
House
Label
Redimension
Loudness
-8.1 dB
Dynamics
11.9 dB
ISRC
ITTQF2100018

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, Love Changed Me feat. Byron Stingily - Maw Instrumental sits in F♯ minor (11A) at 123 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 92% of Joseph Capriati's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 89% of Joseph Capriati's catalogue
Brightness:
brighter than 85% of Joseph Capriati's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood69Bright
Groove84
Acoustic0
Instrumental93
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Love Changed Me feat. Byron Stingily - Maw Instrumental in?

Love Changed Me feat. Byron Stingily - Maw Instrumental by Joseph Capriati is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Love Changed Me feat. Byron Stingily - Maw Instrumental?

Love Changed Me feat. Byron Stingily - Maw Instrumental runs at 123 BPM, a club-tempo track.

What mixes well with Love Changed Me feat. Byron Stingily - Maw Instrumental?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Love Changed Me feat. Byron Stingily - Maw Instrumental good for peak time?

With energy 72 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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