End Of The World by Jimi Jules cover art

End Of The World

Jimi Jules

30s preview

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
65/100
Pop
10/100
Length
6:06
Released
2019
Album
Karma Baby EP
Genre
Deep House
Loudness
-8.4 dB
Dynamics
9.7 dB
ISRC
DEEC31810070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 122 BPM in D♭ major (3B), End Of The World is a club-tempo deep house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 76% of Jimi Jules's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood41Balanced
Groove79
Acoustic2
Instrumental87
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is End Of The World in?

End Of The World by Jimi Jules is in D♭ major, or 3B on the Camelot wheel.

What BPM is End Of The World?

End Of The World runs at 122 BPM, a club-tempo track.

What mixes well with End Of The World?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is End Of The World good for peak time?

With energy 65 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More deep house

More from Jimi Jules

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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