Bullshit People
30s preview
- BPM
- 119
- Open Key
- 5m
- Energy
- 55/100
- Pop
- 14/100
- Length
- 4:44
- Released
- 2016
- Genre
- Deep House
- Loudness
- -10.3 dB
- Dynamics
- 13.0 dB
- ISRC
- CHB751400009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bullshit People: club-tempo deep house, D♭ minor (12A), 119 BPM. The feel is balanced in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Groovier than 98% of Jimi Jules's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 86% of Jimi Jules's catalogue
- Tempo:
- slower than 84% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Bullshit People in?
Bullshit People by Jimi Jules is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Bullshit People?
Bullshit People runs at 119 BPM, a club-tempo track.
What mixes well with Bullshit People?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Bullshit People good for peak time?
With energy 55 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 119 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More deep house
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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