Where We've Gone
- Key
- 7B · F major
- BPM
- 124
- Open Key
- 12d
- Energy
- 96/100
- Pop
- 13/100
- Length
- 8:54
- Released
- 2021
- Album
- Here We Go / Where We've Gone
- Genre
- Progressive House
- Loudness
- -7.2 dB
- ISRC
- DEY472177218
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in F major (7B), Where We've Gone is a club-tempo progressive house production. The mix is almost entirely instrumental. Hotter than 99% of Jamie Stevens's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 89% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where We've Gone in?
Where We've Gone by Jamie Stevens is in F major, or 7B on the Camelot wheel.
What BPM is Where We've Gone?
Where We've Gone runs at 124 BPM, a club-tempo track.
What mixes well with Where We've Gone?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Where We've Gone good for peak time?
With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 124 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
