Lullaby (Parts I + II)
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2013
- Album
- The Wonder of You - EP
- Genre
- Progressive House
- Label
- Microcastle Music
- Loudness
- -10.6 dB
- Dynamics
- 14.4 dB
- ISRC
- USA2P1379031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Lullaby (Parts I + II) is a club-tempo progressive house track in B minor (10A) at 123 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2013 production that still circulates in sets. More underground than 99% of Jamie Stevens's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 99% of Jamie Stevens's catalogue
- Brightness:
- darker than 91% of Jamie Stevens's catalogue
- Groove:
- less groove-driven than 90% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Lullaby (Parts I + II) in?
Lullaby (Parts I + II) by Jamie Stevens is in B minor, or 10A on the Camelot wheel.
What BPM is Lullaby (Parts I + II)?
Lullaby (Parts I + II) runs at 123 BPM, a club-tempo track.
What mixes well with Lullaby (Parts I + II)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Lullaby (Parts I + II) good for peak time?
With energy 85 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
