Arrival by GHEIST cover art

Arrival

GHEIST

30s preview

Key
12A · D♭ minor
BPM
123
Open Key
5m
Energy
85/100
Pop
0/100
Length
6:34
Released
2019
Genre
Deep House
Loudness
-8.8 dB
Dynamics
11.4 dB
ISRC
DEDH71900037

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo deep house cut, Arrival sits in D♭ minor (12A) at 123 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of GHEIST's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 91% of GHEIST's catalogue
Tempo:
slower than 82% of GHEIST's catalogue
Brightness:
darker than 77% of GHEIST's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood15Dark
Groove72
Acoustic0
Instrumental95
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Arrival in?

Arrival by GHEIST is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Arrival?

Arrival runs at 123 BPM, a club-tempo track.

What mixes well with Arrival?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Arrival good for peak time?

With energy 85 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More deep house

More from GHEIST

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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