Healing Crimson by Jamie Stevens cover art

Healing Crimson

Jamie Stevens

Key
6A · G minor
BPM
110
Open Key
11m
Energy
73/100
Pop
0/100
Length
5:21
Released
2015
Genre
Deep House
Loudness
-11.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 110 BPM in G minor (6A), Healing Crimson is a mid-tempo deep house production. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Jamie Stevens's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 96% of Jamie Stevens's catalogue
Groove:
less groove-driven than 80% of Jamie Stevens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood31Dark
Groove61
Acoustic55
Instrumental90
Live36
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Healing Crimson in?

Healing Crimson by Jamie Stevens is in G minor, or 6A on the Camelot wheel.

What BPM is Healing Crimson?

Healing Crimson runs at 110 BPM, a mid-tempo track.

What mixes well with Healing Crimson?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Healing Crimson good for peak time?

With energy 73 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 110 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

More deep house

#Track

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track