Force of Nature by Jamie Stevens cover art

Force of Nature

Jamie Stevens

30s preview

Key
3A · B♭ minor
BPM
120
Open Key
8m
Energy
72/100
Pop
9/100
Length
6:31
Released
2022
Album
Becoming
Genre
Progressive House
Label
Balance Music
Loudness
-8.8 dB
Dynamics
10.9 dB
ISRC
AUXN22258429

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in B♭ minor (3A), Force of Nature is a club-tempo progressive house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 98% of Jamie Stevens's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 89% of Jamie Stevens's catalogue
Groove:
groovier than 88% of Jamie Stevens's catalogue
Reach:
better known than 81% of Jamie Stevens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood72Bright
Groove80
Acoustic0
Instrumental85
Live4
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Force of Nature in?

Force of Nature by Jamie Stevens is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Force of Nature?

Force of Nature runs at 120 BPM, a club-tempo track.

What mixes well with Force of Nature?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Force of Nature good for peak time?

With energy 72 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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