Blush by Jamie Stevens cover art

30s preview

Key
3B · D♭ major
BPM
123
Open Key
8d
Energy
74/100
Pop
2/100
Length
7:34
Released
2020
Album
Titans
Genre
Progressive House
Label
Manjumasi
Loudness
-10.9 dB
Dynamics
11.2 dB
ISRC
US83Z2008497

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo progressive house cut, Blush sits in D♭ major (3B) at 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 77% of Jamie Stevens's catalogue. In a set it works best as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood33Dark
Groove74
Acoustic0
Instrumental90
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Blush in?

Blush by Jamie Stevens is in D♭ major, or 3B on the Camelot wheel.

What BPM is Blush?

Blush runs at 123 BPM, a club-tempo track.

What mixes well with Blush?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Blush good for peak time?

With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More progressive house

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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