Can't Help But Worry (That You Don't Feel The Same)
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 74/100
- Pop
- 16/100
- Length
- 3:52
- Released
- 2025
- Album
- Closer To My Dreams
- Genre
- Progressive House
- Label
- SHÈN Recordings
- Loudness
- -7.9 dB
- Dynamics
- 9.7 dB
- ISRC
- US38Y2507955
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Can't Help but Worry (That You Don't Feel the Same)original12A · 123
Can't Help But Worry (That You Don't Feel The Same): club-tempo progressive house, D♭ minor (12A), 123 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 92% of Franky Wah's catalogue.
- Groove:
- groovier than 77% of Franky Wah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Can't Help But Worry (That You Don't Feel The Same) in?
Can't Help But Worry (That You Don't Feel The Same) by Franky Wah is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Can't Help But Worry (That You Don't Feel The Same)?
Can't Help But Worry (That You Don't Feel The Same) runs at 123 BPM, a club-tempo track.
What mixes well with Can't Help But Worry (That You Don't Feel The Same)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Can't Help But Worry (That You Don't Feel The Same) good for peak time?
With energy 74 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Franky Wah
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.