Summertime - Jones & James dub mix
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 77/100
- Pop
- 10/100
- Length
- 6:39
- Released
- 2010
- Album
- Summertime Remixes
- Genre
- Tech House
- Label
- Crosstown Rebels
- Loudness
- -8.4 dB
- Dynamics
- 16.7 dB
- ISRC
- GB7NR1065002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Summertimeoriginal3A · 127
- Summertime - Rob Mello's No Ears Mixoriginal3A · 127
- Summertime - SIS Remixremix3A · 128
- Summertime - Extended Radio Mixversion3A · 127
- Summertime - Original Dub Mixversion5A · 127
Against the original (3A at 127 BPM), this version runs 3 BPM slower and moves the key from 3A to 12A.
At 124 BPM in D♭ minor (12A), Summertime - Jones & James dub mix is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2010 production that still circulates in sets. More treble-tilted than 88% of Jamie Jones's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 85% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Summertime - Jones & James dub mix in?
Summertime - Jones & James dub mix by Jamie Jones is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Summertime - Jones & James dub mix?
Summertime - Jones & James dub mix runs at 124 BPM, a club-tempo track.
What mixes well with Summertime - Jones & James dub mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Summertime - Jones & James dub mix good for peak time?
With energy 77 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
