Kaskazi - Swahili Dub
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 72/100
- Pop
- 1/100
- Length
- 7:57
- Released
- 2008
- Album
- Kaskazi
- Genre
- Tech House
- Label
- Get Digital Music
- Loudness
- -10.6 dB
- Dynamics
- 10.2 dB
- ISRC
- DEBE70850002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kaskazioriginal10B · 126
- Kaskazi - Emotional Mixoriginal10B · 126
Against the original (10B at 126 BPM), this version runs 2 BPM slower and moves the key from 10B to 4B.
Kaskazi - Swahili Dub: club-tempo tech house, A♭ major (4B), 124 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Kaskazi - Swahili Dub in?
Kaskazi - Swahili Dub by Jamie Jones is in A♭ major, or 4B on the Camelot wheel.
What BPM is Kaskazi - Swahili Dub?
Kaskazi - Swahili Dub runs at 124 BPM, a club-tempo track.
What mixes well with Kaskazi - Swahili Dub?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Kaskazi - Swahili Dub good for peak time?
With energy 72 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
