False Reality - Transhumanism Project (2/3)
30s preview
- Key
- 5A · C minor
- BPM
- 105
- Open Key
- 10m
- Energy
- 58/100
- Pop
- 12/100
- Length
- 5:14
- Released
- 2022
- Genre
- Progressive House
- Loudness
- -9.7 dB
- Dynamics
- 8.0 dB
- ISRC
- DEEC33500618
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
False Reality - Transhumanism Project (2/3): mid-tempo progressive house, C minor (5A), 105 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 98% of Innellea's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of Innellea's catalogue
- Energy:
- calmer than 77% of Innellea's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is False Reality - Transhumanism Project (2/3) in?
False Reality - Transhumanism Project (2/3) by Innellea is in C minor, or 5A on the Camelot wheel.
What BPM is False Reality - Transhumanism Project (2/3)?
False Reality - Transhumanism Project (2/3) runs at 105 BPM, a mid-tempo track.
What mixes well with False Reality - Transhumanism Project (2/3)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is False Reality - Transhumanism Project (2/3) good for peak time?
With energy 58 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 105 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More progressive house
More from Innellea
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
