Ragequit
- BPM
- 175
- Half-time
- 88
- Open Key
- 3m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 4:24
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- 1.2 dB
- ISRC
- GB8KE1855029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Ragequit sits in B minor (10A) at 175 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Hedex's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 80% of Hedex's catalogue
- Brightness:
- darker than 77% of Hedex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ragequit in?
Ragequit by Hedex is in B minor, or 10A on the Camelot wheel.
What BPM is Ragequit?
Ragequit runs at 175 BPM.
What mixes well with Ragequit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Ragequit good for peak time?
With energy 93 out of 100 at 175 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 175 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Hedex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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