The Crash by Harvey McKay cover art

The Crash

Harvey McKay

30s preview

Key
9B · G major
BPM
125
Open Key
2d
Energy
92/100
Pop
1/100
Length
6:01
Released
2016
Album
The Chase
Genre
Techno
Loudness
-7.3 dB
Dynamics
9.9 dB
ISRC
IEHDF1200407

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Crash runs 125 BPM in G major (9B), a club-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Hotter than 86% of Harvey McKay's catalogue.

Brightness:
darker than 80% of Harvey McKay's catalogue
Low end:
more treble-tilted than 78% of Harvey McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood6Dark
Groove80
Acoustic8
Instrumental93
Live12
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is The Crash in?

The Crash by Harvey McKay is in G major, or 9B on the Camelot wheel.

What BPM is The Crash?

The Crash runs at 125 BPM, a club-tempo track.

What mixes well with The Crash?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Crash good for peak time?

With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Harvey McKay

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track