Stolen Forest - Original Mix
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 86/100
- Pop
- 3/100
- Length
- 6:56
- Released
- 2017
- Album
- Never Forget EP
- Genre
- Techno
- Label
- Suara
- Loudness
- -8.4 dB
- Dynamics
- 8.8 dB
- ISRC
- ES84B1510491
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stolen Forest - Original Mix is a club-tempo techno track in A♭ minor (1A) at 124 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Slower than 90% of Harvey McKay's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 77% of Harvey McKay's catalogue
- Brightness:
- darker than 75% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Stolen Forest - Original Mix in?
Stolen Forest - Original Mix by Harvey McKay is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Stolen Forest - Original Mix?
Stolen Forest - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with Stolen Forest - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Stolen Forest - Original Mix good for peak time?
With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
