One Last Song
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 98/100
- Pop
- 3/100
- Length
- 6:34
- Released
- 2018
- Genre
- House
- Label
- Universal Music
- Loudness
- -6.9 dB
- Dynamics
- 12.2 dB
- ISRC
- GBUM71805325
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Last Song - Acousticoriginal11A · 70
- One Last Songoriginal11A · 110
- One Last Song - Hadley (Night Shift) Remixremix3B · 124
- One Last Song - Prismo Remixremix11A · 110
- One Last Song - Terrace Dubversion10A · 123
A club-tempo house cut, One Last Song sits in B minor (10A) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Hotter than 99% of Gorgon City's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 87% of Gorgon City's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is One Last Song in?
One Last Song by Gorgon City is in B minor, or 10A on the Camelot wheel.
What BPM is One Last Song?
One Last Song runs at 125 BPM, a club-tempo track.
What mixes well with One Last Song?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is One Last Song good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Gorgon City
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
