Act One
- BPM
- 137
- Open Key
- 4d
- Energy
- 99/100
- Pop
- 3/100
- Length
- 5:54
- Released
- 2004
- Genre
- Techno
- Loudness
- -6.0 dB
- ISRC
- ITMVX2000063
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 137 BPM in A major (11B), Act One is a driving up-tempo techno production. The mix is almost entirely instrumental. A 2004 production that still circulates in sets. Brighter than 84% of Gaetano Parisio's catalogue.
- Groove:
- less groove-driven than 81% of Gaetano Parisio's catalogue
- Reach:
- better known than 77% of Gaetano Parisio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Act One in?
Act One by Gaetano Parisio is in A major, or 11B on the Camelot wheel.
What BPM is Act One?
Act One runs at 137 BPM, a driving up-tempo track.
What mixes well with Act One?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Act One good for peak time?
With energy 99 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 137 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More techno
More from Gaetano Parisio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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