Drive #2 by Fumiya Tanaka cover art

30s preview

Key
3A · B♭ minor
BPM
136
Open Key
8m
Energy
99/100
Pop
1/100
Length
4:58
Released
2000
Genre
Techno
Loudness
-8.7 dB
Dynamics
10.7 dB
ISRC
DEF270117603

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Drive #2 sits in B♭ minor (3A) at 136 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2000 production that still circulates in sets. Hotter than 85% of Fumiya Tanaka's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 85% of Fumiya Tanaka's catalogue
Reach:
more underground than 77% of Fumiya Tanaka's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood42Balanced
Groove66
Acoustic0
Instrumental97
Live27
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Drive #2 in?

Drive #2 by Fumiya Tanaka is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Drive #2?

Drive #2 runs at 136 BPM, a driving up-tempo track.

What mixes well with Drive #2?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Drive #2 good for peak time?

With energy 99 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 136 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Fumiya Tanaka

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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