5AM by Fleur Shore cover art

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
85/100
Pop
2/100
Length
6:41
Released
2021
Album
The Return
Genre
House
Loudness
-11.4 dB
Dynamics
13.6 dB
ISRC
GX2Y30050003

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

5AM runs 127 BPM in G major (9B), a peak-time tempo house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 92% of Fleur Shore's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 82% of Fleur Shore's catalogue
Low end:
more bass-heavy than 82% of Fleur Shore's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood67Bright
Groove81
Acoustic0
Instrumental93
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is 5AM in?

5AM by Fleur Shore is in G major, or 9B on the Camelot wheel.

What BPM is 5AM?

5AM runs at 127 BPM, a peak-time tempo track.

What mixes well with 5AM?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is 5AM good for peak time?

With energy 85 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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