Hear It Now by Ferry Corsten cover art

Hear It Now

Ferry Corsten

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
90/100
Pop
0/100
Length
3:10
Released
2019
Genre
Trance
Loudness
-3.9 dB
Dynamics
9.7 dB
ISRC
NLQ881900090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Hear It Now: club-tempo trance, B♭ minor (3A), 124 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 90% of Ferry Corsten's catalogue
Groove:
groovier than 89% of Ferry Corsten's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood45Balanced
Groove69
Acoustic0
Instrumental5
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Hear It Now in?

Hear It Now by Ferry Corsten is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Hear It Now?

Hear It Now runs at 124 BPM, a club-tempo track.

What mixes well with Hear It Now?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Hear It Now good for peak time?

With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More trance

More from Ferry Corsten

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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