Flores Blancas
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:31
- Released
- 2010
- Album
- Secreto
- Genre
- Deep House
- Loudness
- -5.3 dB
- Dynamics
- 12.6 dB
- ISRC
- USHL20700075
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in A♭ minor (1A), Flores Blancas is a club-tempo deep house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Ezel's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 90% of Ezel's catalogue
- Energy:
- hotter than 76% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Flores Blancas in?
Flores Blancas by Ezel is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Flores Blancas?
Flores Blancas runs at 124 BPM, a club-tempo track.
What mixes well with Flores Blancas?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Flores Blancas good for peak time?
With energy 85 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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