Am I Wrong (album version)
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 87/100
- Pop
- 9/100
- Length
- 7:16
- Released
- 2000
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 10.8 dB
- ISRC
- FRU981900740
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Am I Wrong (album version) runs 130 BPM in D♭ major (3B), a peak-time tempo house record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2000 production that still circulates in sets. Darker than 93% of Étienne de Crécy's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 89% of Étienne de Crécy's catalogue
- Tempo:
- faster than 86% of Étienne de Crécy's catalogue
- Groove:
- less groove-driven than 80% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Am I Wrong (album version) in?
Am I Wrong (album version) by Étienne de Crécy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Am I Wrong (album version)?
Am I Wrong (album version) runs at 130 BPM, a peak-time tempo track.
What mixes well with Am I Wrong (album version)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Am I Wrong (album version) good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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