3 Day Week-End by Étienne de Crécy cover art

3 Day Week-End

Étienne de Crécy

30s preview

Key
8B · C major
BPM
125
Open Key
1d
Energy
79/100
Pop
0/100
Length
6:40
Released
2000
Genre
House
Loudness
-6.1 dB
Dynamics
14.7 dB
ISRC
FRR900000035

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, 3 Day Week-End sits in C major (8B) at 125 BPM. It reads as bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2000 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 84% of Étienne de Crécy's catalogue
Low end:
more treble-tilted than 84% of Étienne de Crécy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood78Bright
Groove70
Acoustic4
Instrumental0
Live20
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is 3 Day Week-End in?

3 Day Week-End by Étienne de Crécy is in C major, or 8B on the Camelot wheel.

What BPM is 3 Day Week-End?

3 Day Week-End runs at 125 BPM, a club-tempo track.

What mixes well with 3 Day Week-End?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is 3 Day Week-End good for peak time?

With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

#TrackKey·BPM

More from Étienne de Crécy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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