Fine Day (BLR Afro Summer mix)
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 61/100
- Pop
- 11/100
- Length
- 3:06
- Released
- 2024
- Genre
- Progressive House
- Label
- Colorize
- Loudness
- -12.9 dB
- Dynamics
- 15.6 dB
- ISRC
- GBKQU2482942
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fine Dayoriginal3B · 124
- Fine Day - BLR Afro Summer Mixoriginal11A · 125
- Fine Day - Extended Mixversion10A · 124
- Fine Day - BLR Afro Summer Extended Mixversion11A · 125
At 124 BPM in F♯ minor (11A), Fine Day (BLR Afro Summer mix) is a club-tempo progressive house production. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 87% of Estiva's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 86% of Estiva's catalogue
- Reach:
- better known than 80% of Estiva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Fine Day (BLR Afro Summer mix) in?
Fine Day (BLR Afro Summer mix) by Estiva is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Fine Day (BLR Afro Summer mix)?
Fine Day (BLR Afro Summer mix) runs at 124 BPM, a club-tempo track.
What mixes well with Fine Day (BLR Afro Summer mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Fine Day (BLR Afro Summer mix) good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
