Alone With the Bitch
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 83/100
- Pop
- 24/100
- Length
- 7:18
- Released
- 2015
- Genre
- Techno
- Loudness
- -7.2 dB
- ISRC
- DECY51557421
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alone With The Bitchoriginal8B · 125
At 125 BPM in C major (8B), Alone With the Bitch is a club-tempo techno production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Brighter than 93% of Enrico Sangiuliano's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 89% of Enrico Sangiuliano's catalogue
- Groove:
- groovier than 82% of Enrico Sangiuliano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Alone With the Bitch in?
Alone With the Bitch by Enrico Sangiuliano is in C major, or 8B on the Camelot wheel.
What BPM is Alone With the Bitch?
Alone With the Bitch runs at 125 BPM, a club-tempo track.
What mixes well with Alone With the Bitch?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Alone With the Bitch good for peak time?
With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Enrico Sangiuliano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
