Cumbia de Tototl
30s preview
- BPM
- 168
- Half-time
- 84
- Open Key
- 5m
- Energy
- 38/100
- Pop
- 0/100
- Length
- 3:51
- Released
- 2017
- Genre
- Cumbia
- Loudness
- -10.0 dB
- Dynamics
- 9.8 dB
- ISRC
- TCADD1784012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 168 BPM in D♭ minor (12A), Cumbia de Tototl is a very fast cumbia production. It reads as subdued and even. Rhythmically it is built for the dancefloor. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of El Búho's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 95% of El Búho's catalogue
- Low end:
- more bass-heavy than 92% of El Búho's catalogue
- Energy:
- calmer than 90% of El Búho's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Cumbia de Tototl in?
Cumbia de Tototl by El Búho is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Cumbia de Tototl?
Cumbia de Tototl runs at 168 BPM, a very fast track.
What mixes well with Cumbia de Tototl?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Cumbia de Tototl good for peak time?
With energy 38 out of 100 at 168 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 168 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More cumbia
More from El Búho
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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