Altered Beyond Recognition
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 8:59
- Released
- 2009
- Genre
- Techno
- Label
- Einmusika Recordings
- Loudness
- -7.4 dB
- Dynamics
- 9.4 dB
- ISRC
- DEBL60939762
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Altered Beyond Recognitionoriginal8A · 126
- Altered Beyond Recognitionoriginal8A · 126
A club-tempo techno cut, Altered Beyond Recognition sits in A minor (8A) at 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Groovier than 99% of Einmusik's catalogue.
- Reach:
- more underground than 99% of Einmusik's catalogue
- Brightness:
- brighter than 90% of Einmusik's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Altered Beyond Recognition in?
Altered Beyond Recognition by Einmusik is in A minor, or 8A on the Camelot wheel.
What BPM is Altered Beyond Recognition?
Altered Beyond Recognition runs at 126 BPM, a club-tempo track.
What mixes well with Altered Beyond Recognition?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Altered Beyond Recognition good for peak time?
With energy 65 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Einmusik
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
