In My Head (radio edit)
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 3:04
- Released
- 2015
- Genre
- Progressive House
- Loudness
- -7.3 dB
- ISRC
- NLZ541500538
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in F minor (4A), In My Head (radio edit) is a club-tempo progressive house production. The groove is strong and floor-ready. It is vocal-led. A 2015 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue.
- Brightness:
- brighter than 98% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is In My Head (radio edit) in?
In My Head (radio edit) by Eelke Kleijn is in F minor, or 4A on the Camelot wheel.
What BPM is In My Head (radio edit)?
In My Head (radio edit) runs at 123 BPM, a club-tempo track.
What mixes well with In My Head (radio edit)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is In My Head (radio edit) good for peak time?
With energy 71 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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