Circle Treat - Original Mix
30s preview
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 78/100
- Pop
- 1/100
- Length
- 7:28
- Released
- 2012
- Album
- East End Dubs 004
- Genre
- Minimal
- Loudness
- -12.0 dB
- Dynamics
- 10.3 dB
- ISRC
- GBKQU1202785
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in F major (7B), Circle Treat - Original Mix is a club-tempo minimal production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Slower than 99% of East End Dubs's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 94% of East End Dubs's catalogue
- Groove:
- groovier than 87% of East End Dubs's catalogue
- Low end:
- more bass-heavy than 84% of East End Dubs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Circle Treat - Original Mix in?
Circle Treat - Original Mix by East End Dubs is in F major, or 7B on the Camelot wheel.
What BPM is Circle Treat - Original Mix?
Circle Treat - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with Circle Treat - Original Mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Circle Treat - Original Mix good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
![Boy Boy Boy - MK Remix [Radio Edit] by Andhim cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0abff33e78e2e138d2e0.webp){kind=small}
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More minimal
More from East End Dubs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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