Love Vibration - Richard Earnshaw Instrumental
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:25
- Released
- 2016
- Album
- Love Vibration Remixes
- Genre
- House
- Loudness
- -9.0 dB
- Dynamics
- 9.1 dB
- ISRC
- GB2GW0900653
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Vibrationoriginal9B · 125
- Love Vibration - Radio Mixversion8A · 125
- Love Vibration - Richard Earnshaw Remixremix9B · 125
- Love Vibration - Instrumentaloriginal9A · 125
Against the original (9B at 125 BPM), this version holds the same tempo and moves the key from 9B to 6A.
At 125 BPM in G minor (6A), Love Vibration - Richard Earnshaw Instrumental is a club-tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Hotter than 99% of Djeff's catalogue.
- Reach:
- more underground than 99% of Djeff's catalogue
- Brightness:
- darker than 77% of Djeff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Love Vibration - Richard Earnshaw Instrumental in?
Love Vibration - Richard Earnshaw Instrumental by Djeff is in G minor, or 6A on the Camelot wheel.
What BPM is Love Vibration - Richard Earnshaw Instrumental?
Love Vibration - Richard Earnshaw Instrumental runs at 125 BPM, a club-tempo track.
What mixes well with Love Vibration - Richard Earnshaw Instrumental?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Love Vibration - Richard Earnshaw Instrumental good for peak time?
With energy 98 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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