Shake It Out - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 90/100
- Pop
- 1/100
- Length
- 7:30
- Released
- 2014
- Album
- Shake It Out / Recycle
- Genre
- Tech House
- Loudness
- -9.2 dB
- Dynamics
- 10.6 dB
- ISRC
- USNRS1433850
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in F minor (4A), Shake It Out - Original Mix is a club-tempo tech house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Darker than 99% of Dennis Cruz's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 86% of Dennis Cruz's catalogue
- Energy:
- hotter than 83% of Dennis Cruz's catalogue
- Low end:
- more bass-heavy than 83% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Shake It Out - Original Mix in?
Shake It Out - Original Mix by Dennis Cruz is in F minor, or 4A on the Camelot wheel.
What BPM is Shake It Out - Original Mix?
Shake It Out - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with Shake It Out - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Shake It Out - Original Mix good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
