Hello Bucharest
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 72/100
- Pop
- 1/100
- Length
- 8:12
- Released
- 2014
- Album
- On My Skin
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -11.7 dB
- Dynamics
- 9.4 dB
- ISRC
- DEKB71435670
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in G major (9B), Hello Bucharest is a club-tempo techno production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 92% of Deborah de Luca's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 89% of Deborah de Luca's catalogue
- Tempo:
- slower than 88% of Deborah de Luca's catalogue
- Low end:
- more bass-heavy than 85% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Hello Bucharest in?
Hello Bucharest by Deborah de Luca is in G major, or 9B on the Camelot wheel.
What BPM is Hello Bucharest?
Hello Bucharest runs at 125 BPM, a club-tempo track.
What mixes well with Hello Bucharest?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Hello Bucharest good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
