Give It To Me
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 95/100
- Pop
- 31/100
- Length
- 2:08
- Released
- 2023
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -8.7 dB
- ISRC
- DEUD42322000
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Give It to Meoriginal4B · 145
A peak-time tempo techno cut, Give It To Me sits in E minor (9A) at 130 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 97% of Deborah de Luca's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Deborah de Luca's catalogue
- Groove:
- groovier than 85% of Deborah de Luca's catalogue
- Energy:
- hotter than 84% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Give It To Me in?
Give It To Me by Deborah de Luca is in E minor, or 9A on the Camelot wheel.
What BPM is Give It To Me?
Give It To Me runs at 130 BPM, a peak-time tempo track.
What mixes well with Give It To Me?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Give It To Me good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
