Compass - The YellowHeads Remix
- BPM
- 126
- Open Key
- 4d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:14
- Released
- 2016
- Album
- Compass
- Genre
- Techno
- Loudness
- -7.2 dB
- ISRC
- GBLV61623979
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Compassoriginal11A · 127
Against the original (11A at 127 BPM), this version runs 1 BPM slower and moves the key from 11A to 11B.
Compass - The YellowHeads Remix runs 126 BPM in A major (11B), a club-tempo techno record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. More underground than 99% of Deborah de Luca's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 79% of Deborah de Luca's catalogue
- Tempo:
- slower than 77% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Compass - The YellowHeads Remix in?
Compass - The YellowHeads Remix by Deborah de Luca is in A major, or 11B on the Camelot wheel.
What BPM is Compass - The YellowHeads Remix?
Compass - The YellowHeads Remix runs at 126 BPM, a club-tempo track.
What mixes well with Compass - The YellowHeads Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Compass - The YellowHeads Remix good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
