No Redemption by Dax J cover art

No Redemption

Dax J

30s preview

Key
3A · B♭ minor
BPM
134
Open Key
8m
Energy
89/100
Pop
10/100
Length
6:24
Released
2018
Genre
Techno
Label
Monnom Black
Loudness
-8.2 dB
Dynamics
8.0 dB
ISRC
NLCK41048903

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

No Redemption: peak-time tempo techno, B♭ minor (3A), 134 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Less groove-driven than 96% of Dax J's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 83% of Dax J's catalogue
Brightness:
darker than 76% of Dax J's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood7Dark
Groove28
Acoustic0
Instrumental93
Live30
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is No Redemption in?

No Redemption by Dax J is in B♭ minor, or 3A on the Camelot wheel.

What BPM is No Redemption?

No Redemption runs at 134 BPM, a peak-time tempo track.

What mixes well with No Redemption?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is No Redemption good for peak time?

With energy 89 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 134 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track