Come on Come On (extended mix)
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 82/100
- Pop
- 18/100
- Length
- 6:30
- Released
- 2019
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 13.4 dB
- ISRC
- GBCPZ1916423
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Come on Come On (extended mix) sits in B minor (10A) at 124 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 85% of Darius Syrossian's catalogue.
- Reach:
- better known than 84% of Darius Syrossian's catalogue
- Brightness:
- darker than 76% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Come on Come On (extended mix) in?
Come on Come On (extended mix) by Darius Syrossian is in B minor, or 10A on the Camelot wheel.
What BPM is Come on Come On (extended mix)?
Come on Come On (extended mix) runs at 124 BPM, a club-tempo track.
What mixes well with Come on Come On (extended mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Come on Come On (extended mix) good for peak time?
With energy 82 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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