The Dragon's End
- BPM
- 124
- Open Key
- 5m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2009
- Genre
- Deep House
- Loudness
- -12.8 dB
- ISRC
- ZA61A1303014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in D♭ minor (12A), The Dragon's End is a club-tempo deep house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Culoe De Song's catalogue.
- Energy:
- calmer than 78% of Culoe De Song's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Dragon's End in?
The Dragon's End by Culoe De Song is in D♭ minor, or 12A on the Camelot wheel.
What BPM is The Dragon's End?
The Dragon's End runs at 124 BPM, a club-tempo track.
What mixes well with The Dragon's End?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is The Dragon's End good for peak time?
With energy 60 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
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How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
More from Culoe De Song
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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